Get direct 1-on-1 mentorship from a full-time professional drummer who has played 1,000+ paid gigs, gained a 100K+ following, and graduated from Berklee College of Music on a full-ride scholarship.
Whichever one you are, I'll give you never-before-heard exercises and secret practice routines built to speed up your progress, no matter how long you've been at this.
You can groove, but you want more. You want to be the drummer who can take solos, play the ideas you hear in your head, and actually be creative behind the kit. You've just never learned chops before, and you're ready to start.
You've been drumming for years and you've practiced chops on your own, but the growth never really came. You sound great grooving, yet your fills and solos are stuck right where they were, and you can't figure out how to finally get where you want to be.
These are the challenges that can keep drummers stuck for years and years.
The idea is right there: the fill, the solo, the lick you want. But you don't have the technical skill, speed, or strength to pull it off in real time, so what comes out isn't what you heard.
When the spotlight opens up, you either freeze and play something safe and boring just to get through it, or you don't go for it at all because you're scared of how it'll come out. The moment comes, and it passes you by.
Every song, the same handful of go-to licks come out. You've recycled them a thousand times, and you can't seem to break out of the same few fills.
You put in the time, but you don't see any improvement. You're not even sure what to work on to fix your playing, so you grind away on the same old stuff and stay stuck.
You watch other drummers move from one idea to the next like it's nothing. But you hit a mental block, and the ideas in your head won't connect that way, so the flow and ease you want stays just out of reach.
You don't have a voice of your own behind the kit. You want a sound that's unmistakably yours, but right now it feels like you don't have an identity on the drums at all.
Honestly, you probably shouldn't listen to me yet. I'm a complete stranger on the internet.
I could tell you about the full-ride scholarship I earned to Berklee, the #1 music school in the country. Or the 1,000-plus paid gigs I've played since going full-time in 2020, across 35 states. (I stopped counting somewhere along the way.)
Or the 100,000 drummers who follow along across my channels.
But none of that is what actually matters.
What matters is the drummers I work with: players who came to me stuck and plateaued, avoiding solos, who now play with confidence and sound like the pros.
I'm one of the best in the world at teaching chops, because I had to build them from scratch, so I know exactly what it takes to unlock growth at every level.
Every drummer I work with gets a personalized plan built around these three systems.
We build the way you actually construct a solo: phrasing, dynamics, tension and release, and how to open, develop, and land an idea. Instead of freezing or playing random loud notes, you take solos that build and tell a story.
We help you build fills, licks, and rudiment-based ideas, plus the patterns to combine and reshape them into endless variations. You stop recycling the same fills and always have something fresh and intentional to reach for, in any style.
We build the raw technique your hands and feet have been missing: stroke types, finger control, speed, endurance, and coordination. The gap between what you hear and what you can physically play closes, and you flow effortlessly and cleanly around the kit.
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